The influence of Saharan and even South African paintings seems undeniable, but, on the other hand, this influence could have come to Africa from the Mediterranenan coast of Iberia.

The arrival, at the end of this period, of pastoral and agricultural Neolithic peoples enriched rock art with a number of new conventional elements; such as and the representations of the 'owl-headed' female figures of the dolmen world and the rectangular and triangular idols of the Iberian Neolithic, among others.


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