The religious imagery was typical of Mr. Kirstein. A large, solemn man who often wore austere black suits, he reminded many people of a clergyman; he was a convert from Judaism to Roman Catholicism and was also deeply influenced by the metaphysical teachings of G. I. Gurdjieff. For Mr. Kirstein, the order of ballet was a secular microcosm of the divine order of creation itself. Thus, in "Ballet: Bias and Belief," he proclaimed that "all order is a reflection of a superior order" and that "all important art is religious art."


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